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- MONO POLY MASSIVE NATIVE INSTRUMENTS GENERATOR
- MONO POLY MASSIVE NATIVE INSTRUMENTS MANUAL
- MONO POLY MASSIVE NATIVE INSTRUMENTS PLUS
- MONO POLY MASSIVE NATIVE INSTRUMENTS WINDOWS 7
- MONO POLY MASSIVE NATIVE INSTRUMENTS DOWNLOAD
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The Modulation oscillator doesn’t have a sound of its own, but it can be used for ring and phase modulation, filter frequency modulation (FM), and it can affect the wavetable position. Its Color control will adjust the frequencies up or down, the Amp control adjusts its level, and a slider can route it to either of the two filters. Other non-typical variants are also included: Paper, Water Pipes, Murmur and Aluminum. Some of these include White, Brown, and Tape Hiss.
MONO POLY MASSIVE NATIVE INSTRUMENTS GENERATOR
The noise generator at the lower left has twelve types of noise available. With the slider all the way at the top, the oscillator’s signal will go to the first filter, and if it’s all the way at the bottom it will go to the second filter. On the right side of each oscillator section is a slider that can adjust how the oscillator is routed. I will cover more of the modulation settings of MASSIVE later in the review. The pitch, wavetable position, intensity and amp controls in the oscillator section can be modulated using the slots right below each of their respective controls. The Intensity knob dials in the amount for whichever mode you’ve selected.
MONO POLY MASSIVE NATIVE INSTRUMENTS MANUAL
They are described in the manual in detail if you’d like to understand the subject more deeply. I won’t go into the detail of trying to describe the modes, but basically they cause distortion of the wave shape in different ways. Formant, Spectrum and three Bend modes are in that menu. The other controls for the oscillators include wavetable position, tuning (semitones or cents) and an oscillator mode menu which lets you select from varied modes which will affect the wavetable.
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It is also possible to quickly skim through the wavetables by using the left/right arrows. A wavetable menu is at the top of the three main oscillators, and the wavetable selections are divided in to five categories: VA, Basic, Analog/Electric, Digital/Hybrid and FX Chords. Each of them can be switched on or off using a button at the upper-left corner of the oscillator subpanel.
MONO POLY MASSIVE NATIVE INSTRUMENTS PLUS
MASSIVE uses three wavetable oscillators, a modulation oscillator, plus an additional noise source. Once it has been activated, it can be used offline.
MONO POLY MASSIVE NATIVE INSTRUMENTS DOWNLOAD
An online connection is required for download and activation. It’s available in VST, AU, AAX and Standalone (64-bit only). For the Mac, you’ll need OS X 10.11 (or higher) and at least an i5 CPU. It is available in VST, AAX and Standalone 32/64-bit.
MONO POLY MASSIVE NATIVE INSTRUMENTS WINDOWS 7
For the PC, you’ll need Windows 7 (or higher), at least an Intel Core 2 Duo or AMD Athlon 64 X2 CPU. After you login to your Native Access account, you can add a new product such as MASSIVE by clicking “Add a serial” in the upper-left.
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It lets you view all previously installed Native Instruments products you have purchased, and the free downloads you may have acquired from them. Installation of MASSIVE requires Native Access. Plus, the amount of third-party sound content is truly … ahem … massive. MASSIVE also includes easy routing options, over 1,300 presets and several built-in effects. There are over 80 wavetables from which to select for each oscillator, two filters with a choice twelve different filter types, and a high-quality sound which can be modulated in many different ways. So what is MASSIVE? It is a three oscillator virtual analog synth plugin that uses wave scanning algorithms to produce its sound. Note that we are following Native Instruments’ own convention of writing the name entirely in upper case, even though most writers only capitalize the first letter of the name. There’s a reason for that, as you will soon find out in this review. This is a plugin that really stands up to the test of time. It has a huge following, and when some other new wavetable synth plugin comes along, most people end up comparing it MASSIVE. The “goodie” side of it mainly has to do with the impact it has had on the synth plugin world. It definitely is an “oldie” as it was first released over 10 years ago. For this month’s issue I thought we should take at a look at yet another classic synth plugin MASSIVE by Native Instruments. Some of these include the M1 by Korg, FM8 by Native Instruments, and Sylenth1 by Lennar Digital. In many of the past issues of SoundBytes Magazine, our Oldies but Goodies column has featured synth plugins that have become very popular over the years. If ever there was a virtual synth that deserved the designation Oldie but Goodie, it would be Massive, the legendary synth plugin that has been the talk of the town for many years.